Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jan van der Heyden 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
87813		Amsterdam	1667(1667) Medium Oil on canvas cyf
83962		Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk	Date 1667(1667) Medium Oil on canvas Dimensions Height: 85 cm (33.5 in). Width: 92 cm (36.2 in). cjr
62107		Baroque palace courtyard	mk278 copper canvas 11.5 x 16.5cm
62115		Baroque palaces and the Cathedral	mk278 Oil on canvas 20 x 27.5cm
62081		Canal and Church of the scenic West	mk278 canvas board 54 x 63cm
62100		Canal bridge	mk278 canvas board 38 x 53.3cm
62082		Canal house	mk278 wood 35.9 x 44.6cm
62096		Canal scenery	mk278 canvas board 32.5 x 39cm
62097		Canal scenery gentleman	mk278 canvas board 33.7 x 39.7cm
62103		Castle Garden in the rear	mk278 canvas board 39.1 x 52.2cm
62101		Cathedral Landscape	mk278 canvas board 39.4 x 58.4cm
62087		Christ Church	mk278 canvas board 51 x 63.5cm
62089		Church of Jesus landscape	mk278 canvas board 47 x 65cm
62085		Church of the landscape	mk278 canvas board 49 x 65cm
62112		Church of the scenery	mk278 canvas board 33.5 x 36.3cm
62090		Church Square, memories	mk278 canvas board 29.5 x 39cm
62091		City Hall and Plaza	mk278 Oil on canvas 85 x 92cm
62092		City Hall and Plaza	mk278 Oil on canvas 73 x 86.5cm
62093		City Vision	mk278 canvas board 51 x 49.5cm
62086		Construction of the Arc de Triomphe	mk278 canvas board 51.8 x 64.5cm
62099		Dashiqiao	mk278 canvas board 37 x 44.5cm
62105		Deer Hunter	mk278 copper canvas 29 x 37cm
62104		Fantasy buildings	mk278 canvas board 49.7 x 70.7cm
91739		Figures Resting and Promenading in an Oak Forest	Oil on canvas. 28.8 X 33.6 cm.c. 1690-1700 cjr
62083		Forest landscape	mk278 34 x 42.5cm
62113		Globe still life of books and other	mk278 Oil on canvas 77 x 63.5cm
62116		Gothic churches	mk278 Oil on canvas 46 x 60cm
62094		Grand Place	mk278 canvas board 68 x 55cm
62088		Imagine in the cities and towns the Arc de Triomphe	mk278 canvas board 30 x 36.4cm
62114		Imagine the church and buildings	mk278 Oil on canvas 37 x 49.5cm
91975		Jan van der Heyden	1652 - 1712 Medium oil on canvas Dimensions 31.5 X 36 cm (12.4 X 14.2 in) cyf
67357		kanal i amsterdam	se
62095		Old church landscape	mk278 canvas board 41.4 x 52.3cm
62108		Old church landscape	mk278 canvas board 45 x 56.5cm
62111		Old Palace landscape	mk278 canvas board 24 x 29cm
62084		Scenic old church	mk278 canvas board 55.3 x 70.8cm
62102		Side of Castle Garden	mk278 canvas board 39.1 x 54.9cm
62109		Square cattle	mk278 kapok oil 31.4 x 40.3cm
86936		Street before Haarlem Tower	Medium Oil on oak cyf
62098		Suspension	mk278 canvas board 36 x 44.5cm
87211		The church at Veere	Date 1652 - 1712 Medium Oil on canvas Dimensions 31.5 x 36 cm (12.4 x 14.2 in) cjr
30592		The City Hall in Amsterdam	mk68 Oil on canvas Florence,Uffizi, 1667 Netherlands
62110		The crossroads of the forest landscape	mk278 canvas board 44.5 x 55.4cm
2258		The Dam with the New Town Hall
20616		The Dam with the New Town Hall in Amsterdam (mk05)	1668 Canvas,28 x1/2 x 34 ''(73 x 86 cm)Figures by Adriaen van de Velde Acquired for Louis XVI in 1783
62106		Tiber Island Landscape	mk278 Oil on canvas 37.5 x 46cm
86599		View of a Small Town Square	1660(1660) Medium Oil on oak panel cyf
86610		View of Delft	Date second half of 17th century Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 71 cm (28 in). cjr
43195		View of the Westerkerk,Amsterdam	mk170 circa 1660 Oil on oak 90.7x114.5cm
91911		Wooded landscape	Oil on panel. 31.9 X 43.4 cm.c. 1660-1670 cjr

Jan van der Heyden

1637-1712 Dutch Jan Van Der Heyden Gallery Van der Heyden grew up in Gorcum, but the family moved to Amsterdam around 1650. They lived on Dam Square. As a young guy he witnessed the fire in the old townhall which made a deep impression on him. He later would describe or draw 80 fires in almost any neighborhood of Amsterdam. When he married in 1661 the family was living on Herengracht, the most fashionable canal in Amsterdam. In 1668 Cosimo II de' Medici bought one of his paintings, a view of the townhall with a manipulated perspective. Van der Heyden often painted country estates, like Goudestein, owned by Joan Huydecoper II. He was not good in drawing figures and used for his paintings a metal plate for bricks, a sponge or moss for the leaves. Johannes Lingelbach, Adriaen van de Velde und Eglon van der Neer assisted him drawing the figures. Jan van der Heyden also introduced the lamp post and in 1672 impoved the design of the fire engine. He died in wealth as the superintendent of the lighting and director of the (voluntary) firemen's guild at Amsterdam. Van der Heyden was a contemporary of the landscape painters Hobbema and Jacob van Ruisdael, with the advantage, which they lacked, of a certain professional versatility; for, whilst they painted admirable pictures and starved, he varied the practice of art with the study of mechanics. Until 1672 he painted in partnership with Adriaen van de Velde. After Adrian's death, and probably because of the loss which that event entailed upon him, he accepted the offices to which allusion has just been made. At no period of artistic activity had the system of division of labour been more fully or more constantly applied to art than it was in Holland towards the close of the 17th century. Van der Heyden, who was perfect as an architectural draughtsman insofar as he painted the outside of buildings and thoroughly mastered linear perspective, seldom turned his hand to the delineation of anything but brick houses and churches in streets and squares, or rows along canals, or "moated granges," common in his native country. He was a travelled man, had seen The Hague, Ghent and Brussels, and had ascended the Rhine past Xanten to Cologne, where he copied over and over again the tower and crane of the great cathedral. But he cared nothing for hill or vale, or stream or wood. He could reproduce the rows of bricks in a square of Dutch houses sparkling in the sun, or stunted trees and lines of dwellings varied by steeples, all in light or thrown into passing shadow by moving cloud. He had the art of painting microscopically without loss of breadth or keeping. But he could draw neither man nor beast, nor ships nor carts; and this was his disadvantage. His good genius under these circumstances was Adrian van der Velde, who enlivened his compositions with spirited figures; and the joint labour of both is a delicate, minute, transparent work, radiant with glow and atmosphere.

All the Alma Tadema's Oil Paintings

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